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Reichard, Gladys A. Navajo Religion: A Study of Symbolism.

Princeton, New Jersey: Bollingen Series, Princeton University Press, 1950.

Richards, Audrey I. Hunger and Work in a Savage Tribe.

New York: Meridian, 1964.

Rodman, Selven. Popular Artists of Brazil.

Old Greenwich: DevinAdair, 1977.

Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians.

Berkeley: University of California Press, 1961.

Rudofsky, Bernard. Architecture without Architects.

New York: Museum of Modern Art, 1964.

_. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.

_. Behind the Picture Window. New York: Oxford University Press _. The Kimono Mind. London: Gollancz, 1965.

_. The Prodigious Builders. New York: Harcourt Brace Jovanovich _. Streets for People. New York: Doubleday, 1969.

_. The Unfashionable Human Body. New York: Doubleday, 1971.

Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist Sculpture. London: Routledge & Kegan Paul, 1960.

Schafer, Edward H. The Golden Peaches of Samarkand:

A Study of Tang Exotics. Berkeley: University of California Press, 1963.

_. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley:

University of California Press, 1961.

Scully, Vincent. Pueblo: Mountain, Village, Dance.

New York: Viking Press, 1975.

Sesoko, Tsune. The IRoHa of Japan. Tokyo: Cosmo Corporation, 1979.

Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology and Society. Washington, D.C.: Smithsonian Institution Press, 1969.

Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali.

London: Faber, 1938.

Suzuki, Daisetz T. Zen and Japanese Culture.

London: Routledge & Kegan Paul, 1959.

Sze, MaiMai. The Too of Painting. 2 vols.

London: Routledge & Kegan Paul, 1957.

Tange, Kenzo, and Gropius, Walter. Katsura:

Tradition and Creation in Japanese Architecture.

New Haven, Connecticut: Yale University Press, 1960.

Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture.

Cambridge, Massachusetts: M.I.T. Press, 1965.

Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use.

Seattle: Superior Publishing Co., 1977.

Valladares, Clarival and do Prado. Artesanato brasileiro.

Rio de Janeiro: Edicao Funarte, 1980.

Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne:

Helvetica Press, 1968.

Viezzer, Moema. Si mepermiten hablar...

Bolivia: underground pamphlet, 1977.

Wagley Charles. Welcome of Tears: The Tapirape Indians of Central Brazil.

New York; Oxford University Press, 1977.

Watts, Alan R. Beat Zen, Square Zen and Zen.

San Francisco: City Lights, _. The Joyous Cosmology. New York: Pantheon Books, 1962.

_. Nature, Man and Woman. New York: Pantheon Books, 1958.

Wichmann, Siegfried. Japonisme. New York: Harmony Books, 1981.

Wyman, Leland C. (ed.~).Beautyway:ANavajo Ceremonial. Princeton, New Jersey: Bollingen Series, Princeton University Press, 1957.

Yee, Chiang. The Chinese Eye. New York: Norton, 1950.

. Chinese Calligraphy. London: Methuen, 1954.

Yoshida, Mitsukuni, et al. Japan Style. Tokyo: Kondansha, 1981.

Akerman, Nordal. Kan Vi Krympa Sverige? Stockholm: Raben & Sjogren, 1980.

Brecht, Bertolt. Gesammelte Werke.

Frankfurt, Germany: Suhrkamp Verlag, 1967.

Cleaver, Eldridge. Sou! on Ice. London: Jonathan Cape, 1969.

_. Eldridge Cleaver: PostPrison Writings and Speeches.

London: Jonathan Cape, 1969.

Debray, Regis. Revolution in the Revolution. Middlesex: Penguin, 1968.

Deshusses, Jerome. The Eighth Night of Creation.

New York: The Dial Press, 1982.

Dow, Alden B. Reflections. Midland, Michigan: Northwood Institute, 1970.

Fanon, Frantz. The Wretched of the Earth. Middlesex: Penguin, 1967.

Fischer, Ernst. The Necessity of Art: A Marxist Approach.

Middlesex: Pelican, 1964.

Freire, Paulo. Cultural Action for Freedom. Middlesex: Penguin, 1972.

_. Educacao como Prdtica da Liberdade. Sao Paulo: P. P. C, 1967.

. Pedagogy of the Oppressed. Middlesex: Penguin, 1972.

Frisch, Bruno. Die Vierte Welt: Modell einer neuen Wirklichkeit.

Stuttgart: DVA, 1970.

Gardner, John. On Moral Fiction. New York: Basic Books, 1977.

Gonzales, Xavier. Notes About Painting. New York: World, 1955.

Greene, Herb. Mind & Image: An Essay on Art and Architecture.

Lexington: University Press of Kentucky, 1976.

Greenough, Horatio. Form and Function.

Washington, D.C.: privately published, 1811.

Guevara, Che. Bolivian Diary.

London: Cape & Lorrimer _. Guerrilla Warfare. Middlesex: Penguin, 1969.

Harris, Marvin. Cultural Materialism: The Struggle for a Science of Cult New York: Random House, 1979.

Kennedy, Robert F. Seek a Newer World.

London: Michael Joseph, 1968.

Koestler, Arthur. Arrow in the Blue. London: Hutchinson, 1969.

_. Dialogue with Death. London: Hutchinson, 1966.

_. The Invisible Writing. London: Hutchinson, 1969.

_. Scum of the Earth. London: Hutchinson, 1968.

Laing, R.D. The Politics of Experience. Middlesex: Penguin, 1970.

Mailer, Norman. The Armies of the Night. Middlesex: Penguin, 1970.

_. Miami and the Siege of Chicago. Middlesex: Penguin, 1971.

Mao Tsetung. Collected Writings. 5 vols. Peking:

Foreign Language Press, 1964.

_. On Art and Literature. Peking: Foreign Language Press, 1954.

_. On Contradiction. Peking: Foreign Language Press.

_. On the Correct Handling of Contradictions among the People.

Peking: Foreign Language Press, 1957.

Marcuse, Herbert. Das Ende der Utopie. Berlin: Maikowski, 1967.

_. OneDimensional Man. London: Routledge & Kegan Paul, 1964.

Marin, John. The Collected Letters of John Marin.

New York: AbelardSchuman, n.d.

Miller, Henry. My Bike and Other Friends.

Santa Barbara, California: Capra Press, 1978.

Myrdal, Jan. Confessions of a Disloyal European.

London: Chatto & Windus, 1968.

_. Report from a Chinese Village. Middlesex: Penguin, 1967.

_. Samtida. Stockholm: Norstedt, 1967.

Perlman, Janice E. The Myth of Marginality:

Urban Poverty and Politics in Rio de Janeiro.

Berkeley: University of California Press, 1976.

Richards, M.C. Centering: In Pottery, Poetry and the Person.

Middletown, Connecticut: Wesleyan University Press, 1964.

Saarinen, Eliel. Search for Form. Detroit: Kennikat Press, 1970.

Safdie,Moshe. Beyond Habitat.

Cambridge, Massachusetts: M.I.T. Press, 1970.

_. For Everyone a Garden. Cambridge, Massachusetts: M.I.T. Press, 1974.

_. Form and Purpose. Boston: Houghton Mifflin Co., 1982.

St. Exupery, Antoinede. Bekenjitnis einer Freundschaft Dusseldorf, Germany: Karl Rauch, 1955.

_. Garnets. Paris: Gallimard, 1953.

_. Flight to Arras. Middlesex: Penguin, 1967.

_. Freiden OderKrieg? Diisseldorf, Germany: Karl Rauch, 1957.

_. Gebete der Einsamkeit. Diisseldorf, Germany: Karl Rauch, 1956.

_. Lettres a Vamie inventee. Paris: Plon, 1953.

_. Lettres a so mere. Paris: Gallimard, 1955.

_. lettres dejeunesse. Paris: Gallimard, 1953.

_. The Little Prince. Middlesex: Penguin, 1970.

_. NightFlight. Middlesex: Penguin, 1939.

_. A Sense of Life. New York: Funk & Wagnalls, 1965.

_. Wind, Sand and Stars. Middlesex: Penguin, 1971.

_. The Wisdom of the Sands. New York: Harcourt, Brace, 1952.

ServanSchreiber, Jean Jacques. The American Challenge.

London: Hamish Hamilton, 1968.

_. The World Challenge. New York: Simon & Schuster, 1981.

Shahn, Ben. The Shape of Content. Cambridge, Massachusetts:

Harvard University Press, 1957.

Soleri, Paolo. Arcology: The City in the Image of Man.

Cambridge, Massachusetts: M.I.T. Press, 1970.

Sontag, Susan. On Photography.

New York: Farrar, Straus and Giroux, 1977.

Sullivan, Louis H. The Autobiography of an Idea. Chicago: Peter Smith, 1924.

_. Kindergarten Chats. Chicago: Scarab Fraternity, 1934.

Thoreau, Henry David. Walden and Essay on Civil Disobedience.

London: Dent.

Van Gogh, Vincent. The Complete Letters of Vincent Van Gogh in Three Volumes. London: Thames & Hudson, 1958.

Weiss, Peter. Notizen zum Kulterellen Leben in der Demokratischen Republik VietNam. Frankfurt, Germany: Suhrkamp Verlag, 1968.

Wills, Philip. Free as a Bird. London: John Murray, 1973.

_. On Being a Bird. London: David & Charles, 1977.

_. Where No Birds Fly. London: Newnes, 1961.

Wright, Frank Lloyd. Autobiography.

New York: Duel, Sloane & Pearce, 1943.

_. The Disappearing City. New York: William Farquhar Payson, _. The Living City. New York: Horizon, 1958.

_. The New Frontier: Broadacre City. Springreen, Wisconsin:

Taliesin Fellowship Publication, vol. 1, no. 1, October, 1940.

_. A Testament. New York: Horizon, 1957.

_. When Democracy Builds. Chicago: University of Chicago Press, 1945.

Wright, Olgivanna Lloyd. The Shining Brow. New York: Horizon, 1958.

Yevtushenko, Yevgeny. Collected Poems. London: Calder & Boyars, 1969.

_. A Precocious Autobiography. New York: Dutton, 1963.

Arnheim, Rudolf. Art and Visual Perception. London: Faber, 1967.

_. Film as Art. London: Faber, 1967.

_. Toward A Psychology oj Art. London: Faber, 1967.

Bayer, Herbert, and Gropius, Walter. Bauhaus 19191928.

Boston: Branford, 1952.

Berenson, Bernard. Aesthetics and History.

New York: Pantheon Books, 1948.

Biederman, Charles. Art as the Evolution of Visual Knowledge.

Redwing, Minnesota: Charles Biederman, 1948.

Boas, Franz. Primitive Art. New York: Dover, 1955.

Burckhardt, Lucius. Der Werkbund. Stuttgart: DVA, 1978.

Conrads, Ulrich, and Sperlich, Hans G. The Architecture of Fantasy.

New York: Praeger, 1962.

Danz, Louis. Dynamic Dissonance in Nature and the Arts.

New York: Longmans Green, 1952.

_. It is Still the Morning. New York: Morrow, 1943.

_. Personal Revolution and Picasso. New York: Longmans Green, 1941.

_. The Psychologist Looks at Art. New York: Longmans Green, 1937.

_.ZarathustraJr.. New York: Brentano, 1934.

Dorfles, Gillo. Kitsch: An Anthology of Bad Taste.

London: Studio Vista, 1970.

Ehrenzweig, Anton. The Hidden Order of Art. London: Paladin, 1970.

Feldman, Edmund B. (ed.). Art in American Higher Institutions. Washington, D.C.: The National Art Education Association, 1970.

Friedmann, Herbert. The Symbolic Goldfinch:

Its History and Significance in European Devotional Art.

Princeton, New Jersey: Bollingen Series, Princeton University Press, 1946.

Gamow, George. One, Two, Three... Infinity, rev. ed.

New York: Viking, 1961.

Gerstner, Karl. Kalte KunstP Basel, Switzerland: Arthur Niggli, 1957.

Gilson, Etienne. Painting and Reality. Princeton, New Jersey:

Bollingen Series, Princeton University Press, 1957.

Gombrich, E.H. Art and Illusion. Oxford: Phaidon, 1962.

_. Ideals and Idok. New York: E. P. Dutton, 1979.

_. The Image and the Eye. Ithaca: Cornell University Press, 1979.

_. Meditations on a Hobbyhorse. Oxford: Phaidon, 1963.

_. The Sense of Order. Ithaca: Cornell University Press, 1979.

Graves, Robert. The White'Goddess. London: Faber, 1952.

Hatterer, Lawrence J. The Artist in Society: Problems and Treatment of the Creative Personality. New York: Grove Press, 1965.

Hauser, Arnold. The Social History of Art. 4 vols. London:

Routledge & Kegan Paul, 1951.

Hinz, Berthold. Art in the Third Reich. New York: Pantheon, 1979.

Hogben, Lancelot. From Cave Painting to Comic Strip.

New York: Chanticleer Press, 1949.

HonEn Historia. Catalogue. Stockholm: Moderna Museet, 1967.

Huizinga, Johan. Homo Ludens: A Study of the Playelement in Human Culture. London: Paladin, 1970.

Hulten, K.G. Pontus. The Machine as Seen at the End of the Mechanical Age, New York: Museum of Modern Art, 1968.

Illich, Ivan. Energy and Equity. London: Calder & Boyars, 1974.

_. Tools for Conviviality. London: Calder & Boyars, 1973.

Keats, John. The Insolent Chariots. New York: Crest Books, n.d.

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