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_. Freiden OderKrieg? Diisseldorf, Germany: Karl Rauch, 1957.

_. Gebete der Einsamkeit. Diisseldorf, Germany: Karl Rauch, 1956.

_. Lettres a Vamie inventee. Paris: Plon, 1953.

_. Lettres a so mere. Paris: Gallimard, 1955.

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_. The Little Prince. Middlesex: Penguin, 1970.

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_. A Sense of Life. New York: Funk & Wagnalls, 1965.

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_. The Wisdom of the Sands. New York: Harcourt, Brace, 1952.

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_. A Testament. New York: Horizon, 1957.

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_. Film as Art. London: Faber, 1967.

_. Toward A Psychology oj Art. London: Faber, 1967.

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Conrads, Ulrich, and Sperlich, Hans G. The Architecture of Fantasy.

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_. It is Still the Morning. New York: Morrow, 1943.

_. Personal Revolution and Picasso. New York: Longmans Green, 1941.

_. The Psychologist Looks at Art. New York: Longmans Green, 1937.

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Feldman, Edmund B. (ed.). Art in American Higher Institutions. Washington, D.C.: The National Art Education Association, 1970.

Friedmann, Herbert. The Symbolic Goldfinch:

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Gerstner, Karl. Kalte KunstP Basel, Switzerland: Arthur Niggli, 1957.

Gilson, Etienne. Painting and Reality. Princeton, New Jersey:

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Gombrich, E.H. Art and Illusion. Oxford: Phaidon, 1962.

_. Ideals and Idok. New York: E. P. Dutton, 1979.

_. The Image and the Eye. Ithaca: Cornell University Press, 1979.

_. Meditations on a Hobbyhorse. Oxford: Phaidon, 1963.

_. The Sense of Order. Ithaca: Cornell University Press, 1979.

Graves, Robert. The White'Goddess. London: Faber, 1952.

Hatterer, Lawrence J. The Artist in Society: Problems and Treatment of the Creative Personality. New York: Grove Press, 1965.

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Hogben, Lancelot. From Cave Painting to Comic Strip.

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Hulten, K.G. Pontus. The Machine as Seen at the End of the Mechanical Age, New York: Museum of Modern Art, 1968.

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